You Will Be My Son

2011 [FRENCH]

Action / Drama / Thriller

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Synopsis


Uploaded By: FREEMAN
December 30, 2020 at 09:02 PM

Director

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720p.BLU 1080p.BLU
932.51 MB
1280*522
French 2.0
R
24 fps
1 hr 41 min
P/S 1 / 1
1.87 GB
1920*784
French 5.1
R
24 fps
1 hr 41 min
P/S 3 / 1

Movie Reviews

Reviewed by paul2001sw-1 8 / 10

Well-crafted

There's a grim tale well-told in 'You Will be My Son': that of an egotistical wine-maker whose love of his craft exceeds that for his son, and to such an extent that he feels under no obligation to hide it. The film pivots around these two points, indulging a sense of love for the craft of traditional wine-making, but portraying the father's behaviour in an utterly unsympathetic light. But the son is a bit too craven to be interesting: he has a mysteriously beautiful wife, and his refusal to leave, and preference to stay around and be bullied instead, is a bit mystifying; ultimately the film perhaps shares with its characters a sense that patrimony is at heart the proper way of the world. The ambiguous ending, however, is well-judged.

Reviewed by morrison-dylan-fan 9 / 10

"Fitness falls into two categories:Athletic and ascetic."

Getting the internet back on at home after 2 days of the server crashing,I decided to take a look at the movies listed on BBC iPlayer.Getting near the end of the list,I noticed a splendid looking,dark French Drama,which led to me getting ready to find out what vintage the film is.

The plot:

After running the family vineyard for decades, Paul de Marseul starts to become aware that some point soon he will have to pass the Marseul legacy over to the next generation:his son Martin.Whilst past generations have made the transitions go smoothly,Paul is only able to look at Martin with pure hatred,as Paul treats his son to constant bullying,which includes blaming him for the death of their wife/mum,and Martin being unable to get his girlfriend pregnant. Learning that his dad (and friend of Martin) François Amelot is struggling in his battle with cancer, Philippe Amelot decides to go and support his dad.Meeting Philippe,Paul is thrilled to find that Philippe has all the qualities Martin lacks.Suspecting that François is near death (what a friend!) Paul starts making plans to hang a new son on the vineyards.

View on the film:

Sweeping over the vineyards,co-writer/(along with Laure Gasparotto & Delphine de Vigan) director Gilles Legrand and cinematographer Yves Angelo unwrap the darkness decaying the heart of the Marseul family.Taking inspiration from Film Noir sheen, Legrand and Angelo paint the wine in a golden ruby,which masks the rot setting in at the centre,which Legrand superbly unveils by transforming the Marseul's wine vault into a Gothic Horror crypt,where the bitter anger consuming Paul is allowed to ferment.

While the way Paul treats Martin is extremely harsh,the screenplay by Legrand/ Gasparotto and Vigan make each sharp line of dialogue land with a real punch,due to the writers cleverly using Paul's viciousness to place him in a deadly corner. Giving Paul a "warm uncle" shine,the writers wonderfully send Paul down an unforgiving Film Noir loner path lit up by Paul isolating himself by hurling snarling swipes at all who stand in his way,until Paul is left as a monster in his self-imposed den.

Soaked in buckets of misery, Lorànt Deutsch gives a thrilling performance as Martin,whose bruised knuckles Deutsch digs deep into,whilst dapper Nicolas Bridet makes Philippe look like he is walking on water with his savvy charms.Stomping down on the grapes, Niels Arestrup gives a thunderous performance as Paul,thanks to Arestrup joyfully burning Paul's cuddly side and digging up the pure Film Noir cruelty,in a movie which should be watched through the grapevines.

Reviewed by dbdumonteil 9 / 10

Dying on the vine

With a title borrowed from Kipling ,"Tu Seras Mon Fils" is one of the best French contemporary movies.I have the strange feeling that Gilles Legrand was able,not a small feat,to capture what was great in the old glorious cinema,particularly that of Julien Duvivier , with whom he shares the same pessimism and an unusual depiction of nastiness ,of cruelty ,transferred to the realities of our times.

Nils Arestrup,too often cast in supporting parts,gives a terrifying performance of a wealthy man , a viticulturist whose vintage wine he treasures and who despises his son,Martin;He cannot talk to him without demeaning,humiliating him,going as far as to accuse him of causing the death of his mother when they visit her grave ;"you do not belong here;"you're no good at anything" "if you do not know,ask Philippe".

Philippe ,the foreman's son ,is exactly the kind of son the father longs for;besides ,Phil's father,is dying of cancer:so why not adopt him and send Martin away from the valuable property?"you change sons as you change your shoes" says the daughter-in-law who desperately supports Martin.

The father's game is subtle:when he is awarded the Legion D'Honneur,he takes his new "son" to Paris with him in a luxury hotel (he gives HIS surname to Philippe when he books the rooms),he poses for the press with him by his side ("the newspaper reads "with his son" ,says Phil's mother,they must have made a mistake") Nils Arestrup never overplays but he really makes us believe he is a monster ;the rest of the cast rises to the occasion:Patrick Chesnais ,terminally ill,seeing him take his own son away from him;Valerie Mairesse ,as his wife ,who sees clearer than he does;and the two boys,one very shy with a low self -esteem (two gripping scenes:the self-inflicted wound with the secateurs in the vineyard;the nightmare in which he sees his (monstrous) father trying to drown him in a vat of wine) ;the other one,the fine boy with good prospects, so sure of himself ,who's just back from California where he had a very good job.

With an unusually good sense of space (the vineyard is remarkably filmed),a dense screenplay,lines to rival the best of Henri Jeanson,Charles Spaak or Henri-Georges Clouzot,Gilles Legrand blew my mind;Two comments so far !!it would deserve a hundred of them!yes it would!

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